About the hook at the beginning of the book

Because I’m starting to write a new book of my own, I’m particularly interested in beginnings at the moment. This week I decided take a closer look at the first paragraphs of ten middle-grade fantasies I’ve read recently. I wanted to check out two things. First, how many of these books had beginnings I consider intriguing? Which would I have continued reading if I wasn’t on a mission to dissect middle-grade fantasies to improve my own writing? Second, I wanted to get a feel for whether or not books live up—or down—to the promise of the first pages. How often did I like books with ho-hum openings? How often did books with clever beginnings feel like a letdown farther on?

What follows this isn’t scientific analysis, just personal opinion. I don’t think even my most analytical scientist-friends would have an easy time figuring out something like this scientifically; there’d be too much variability in what people think of the beginnings of books and what they think about the books overall.

When evaluating the beginnings of these books, I discounted the prologues, if any. Three of the ten books had official prologues; that is, sections labeled “Prologue.” One book, The Lightning Thief, had a sneaky little well-written half page that was actually a prologue but wasn’t labeled as such: a closet prologue, so to speak. I was generous and counted that as the actual beginning of the book, even though it wasn’t fooling me, not even for a minute.

One of the three out-of -the-closet prologues was truly execrable, in my opinion, and seemed to be there only to tie together a funky structure. Here’s the beginning of it, from The Ruins of Gorlan: “Morgarath, Lord of the Mountains of Rain and Night, former Baron of Gorlan in the Kingdom of Araluen, looked out over his bleak, rainswept domain and, for perhaps the thousandth time, cursed.” Seriously? Yikes. The other two prologues were well written, but I discounted them anyway and skipped right to the main dish.

I had an overwhelmingly positive reaction to the openings of six of the ten novels. First paragraphs and first pages of books as varied as Liesel and Po, Saavy, Benjamin Franklinstein Meets the Fright Brothers, A Tale Dark and Grimm, The Lightning Thief, and My Very UnFairy Tale Life all hooked me. They did it by raising questions in my mind, tickling my sense of humor, reeling me in with a great voice, or doing more than one of these at the same time.  In my opinion, only one of these books, My Very UnFairytale Life, failed to fully live up to the promise of its first pages. It wasn’t bad; it just wasn’t as good as the other books with intriguing beginnings. To summarize, if these books are representative, I’d have to say that good first pages usually mean a good book.

But do less-than-stellar first paragraphs or even un-thrilling first pages mean a mediocre book? Maybe not. The openings of four of the ten books elicited a lukewarm or less-than-lukewarm reaction from me, but I read on, and ended up liking three of the four (all but The Ruins of Gorlan). I liked one of them so much I read it twice. That wonderfully funny book, The Wee Free Men, was the only one that had a beginning that would have stopped me cold if I didn’t have another reason for reading the book. Here’s how it opens: “Some things start before other things. It was a summer shower but didn’t appear to know it, and it was pouring rain as fast as a winter storm. Miss Perspicacia Tick sat in what little shelter a raggedy hedge could give her and explored the universe. She didn’t notice the rain. Witches dried out quickly.” My reaction was: Huh? And I only got more confused when I learned that Ms. P wasn’t really a main character. However, this was an utterly fantastic, laugh-out-loud book by a writer who could keyboard circles around the rest of the best. Just goes to show, you never can tell.

So what are my conclusions? As a reader, I learned that good first pages mean odds are better than even that the rest of the book rocks, too. But non-hook openings—especially old-fashioned first chapters that slowly introduce you to a character and his or her surroundings—are not necessarily a sign of yawns to come. So I’ll be keeping the faith and giving writers a chapter or two of grace before putting the book down and switching on NetFlix.

As an unpublished writer, though, I’m afraid the lesson is that only awesome first pages will cut the mustard. I better aim for great voice, intriguing questions, and if possible, a smile or two. Terry Pratchett can afford to give a puzzling first chapter to a secondary character. His thousands of loyal fans will forge on. Most of the rest of—including me—don’t have that luxury.

A book-by-book breakdown of opening pages follows.

Positive reaction – intrigued, definitely keep reading

“On the third night after the day her father died, Liesel saw the ghost.”
–Lauren Oliver, Liesel and Po
My reaction: Whose ghost was it? Her father’s? If not, then whose? What was the encounter like, and what happened next? Keep reading.

“When my brother Fish turned thirteen, we moved to the deepest part of inland because of the hurricane and, of course, the fact that he’d caused it.”
–Ingrid Law, Savvy
My reaction: Wow, a kid started a hurricane? How? Why? Keep reading.

“It was a typical, sunny summer afternoon on Karloff Avenue. A woman was watering plants in her garden. A mailman was making his daily rounds. Two mothers with strollers chatted on the sidewalk. And high above them, balanced precariously on the chimney of the oldest house on the block, Benjamin Franklin was disco dancing while mooing like a cow.”
–Matthew McElligott and Larry Tuxbury, Benjamin Franklinstein Meets the Fright Brothers
My reaction: Oh, fun! Benjamin Franklin disco dancing on a roof in modern times? How? Why? Keep reading.

“Once upon a time, fairy tales were awesome. I know, I know. You don’t believe me. I don’t blame you. A little while ago, I wouldn’t have believed it myself. Little girls in red caps skipping around the forest? Awesome? I don’t think so. But then I started to read them. The real, Grimm ones. Very few little girls in red caps in those. Well, there’s one. But she gets eaten.”
–Adam Gidwitz, A Tale Dark and Grimm)
My reaction: Fantastic voice. Speaker likes violent action, so this isn’t going to be your average fairytale. Keep reading.

“Look, I didn’t want to be a half-blood. If you’re reading this because you think you might be one, my advice is: close this book right now. Believe whatever lie your mom or dad told you about your birth, and try to lead a normal life. Being a half-blood is dangerous. It’s scary. Most of the time it gets you killed in painful, nasty ways. If you’re a normal kid, reading this because you think it’s fiction, great. Read on. I envy you for being able to believe that none of this ever happened.”
–Rick Riordan, The Lightning Thief
My reaction: OK, maybe not my thing, but I bet kids would eat this up. I’ll keep reading.

“You know all those stories that claim fairies cry sparkle tears and elves travel by rainbow? They’re lies. All lies. No one tells you the truth until it’s too late. And then all you can do is run like crazy while a herd of unicorns tries to kill you.”
– My Very UnFairy Tale Life, Anna Staniszewski
My reaction: Fun voice, murderous unicorns. Keep reading.

Lukewarm reaction – OK, I’ll keep reading

“I’m going to die of boredom here, Sabrina Grimm thought as she looked out the train window at Ferryport Landing, New York.” Then comes a description of the town, the weather, the kids, and how they’re on a train. Then one of the kids speaks: “Do they have bagels in Ferryport Landing, Ms. Smirt?”
–Michael Buckley, Prologue, The Fairytale Detectives
My reaction: Right, I liked that thing about the bagels. I’ll keep going for a few pages on the strength of that. (Turned out to be a really fun book.)

“Once upon a time, a girl named September grew very tired indeed of her parents’ house, where she washed the same pink-and-yellow teacups and matching gravy boats every day, slept on the same embroidered pillow, and played with the same small and amiable dog. Because she had been born in May, and because she had a mole on her left cheek, and because her feet were very large and ungainly, the Green Wind took pity on her and flew to her window one evening just after her twelfth birthday.”
–Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making)
My reaction: Reluctantly lukewarm, verging on less than lukewarm. OK, I’ll bite: What’s the Green Wind? What’s so important about May, the mole, and the feet? What happens to the little girl? I’ll keep reading because I’ve heard this is a good book.

“’Try to eat something, Will. Tomorrow’s a big day, after all.’
Jenny, blonde, pretty and cheerful, gestured towards Will’s barley touched plate and smiled encouragingly at him. Will made an attempt to return the smile but it was a dismal failure. He picked at the plate before him, piled high with his favourite foods. Tonight, his stomach knotted tight with tension and anticipation, he could hardly bring himself to swallow at all.”
–John Flanagan, Ranger’s Apprentice
My reaction: Meh. But this is the first book in one of my son’s favorite series, so I’ll keep going. (I am leaving out the excruciating prologue, which my son admits he also skipped.)

Less than lukewarm – I’ll read this because I trust the author based on previous work or because I’ve heard the book is good

“Some things start before other things. It was a summer shower but didn’t appear to know it, and it was pouring rain as fast as a winter storm. Miss Perpsicacia Tick sat in what little shelter a raggedy hedge could give her and explored the universe. She didn’t notice the rain. Witches dried out quickly.”
–Terry Pratchett, The Wee Free Men
My reaction: Huh? Keep reading because I read another book by this writer long ago and really liked his sense of humor. Maybe it will get better. (It did.)

Review: My Very UnFairy Tale Life by Anna Staniszewiski

My Very UnFairy Tale Life by Anna Staniszewiski

Jenny, a burned-out twelve-year-old adventurer, must defeat the evil clown that put a spell of silence on an entire fairyland kingdom—and at the same time find a way to balance her secret life of adventure with the normal life of school and friends she desperately wants. 

Theme of the book: Platitudes contain real, helpful wisdom and laughter is the best medicine.

Kid-o-meter ratings (1 = lowest or least, 5 = highest or most)

1. This book made me laugh out loud: 1, but my sense of humor might be different from yours (I’m a grownup). I give it a 1 for the unicorns in the opening chapter and for the importance of laughter at the end of the book.

As an aside, I try not to read other reviews until after I’ve completed my own. However, I ordered this book from Amazon.com and saw that one review there describes this book as a comic romp that emphsaizes . . . comedy. Different reviewers, different senses of humor.

2. This book has good action: 3. There’s enough action here to keep you reading. It’s interwoven with drama about friendships, especially in the second half of the book.

3. This book is suspenseful: 2. Most of the book is mildly suspenseful. At first the suspense level and writing reminded me of the magic tree house books, but for older readers. Then the main bad guy appeared. He’s seriously creepy, and his presence in an otherwise mildly suspenseful book made me wonder what kind of readers will like this book. If you like creepy, scary stories, you might like the bad guy but not the rest of the book. If you like mild suspense and stories about friendships, you will probably like the rest of the book, but the bad guy may give you nightmares.

4. The ending does not disappoint: 5. The ending is good. I can almost guarantee that you’ll like the final battle and the way things wrap up.

5. I cared a lot about what happened to these characters: 2. In places, I cared, but in other places—especially the beginning—I did not. It took me a long time to understand why other characters kept telling the main character she was an exceptionally good adventurer because she (apparently) failed over and over again in her missions and did not show special skills or ingenuity until almost three-quarters of the way through the book. Her helper Anthony seemed like a real jerk at the beginning, and the aunt she lives with seemed nearly as bad. Later I got to like the characters better, but I had to be patient.

Kid questions

1. How old is the main character: 12

2. Is there a group of friends I can imagine I’m part of: No. The main character fights to get her two former best friends back throughout the book. She lost them when she became an adventurer several years before.

3. Is this a series or just one book? A series.

4. Does it get off to a fast start: Yes. The action starts immediately.

5. Is there at least one nice grownup: Yes, there is one—an older man called Dr. Bradley who is a neighbor of the main character.

6. Does it get mushy? (Is there L-O-V-E?): No.

Adult’s questions

1. What’s the major source of suspense? There are several sources of suspense in the book. Your child will wonder what happened to Jenny’s parents,  if and how Jenny will defeat the evil clown that rules the Kingdom of Speak, whether Jenny will get her two best friends back, and whether she will give up adventuring for a normal life.

2. Which classic fantasy elements does this book contain? Fairytale creatures, travel between worlds, and magic. Interestingly, it contains a classic horror element, a scary clown, who is the main bad guy.

3. What’s the book’s take on tolerance and empathy?  Not a major theme in the book.

4. Is there profanity or violence? There’s no profanity and there’s only mild violence during battle scenes. A unicorn pokes Jenny in the arm with its horn, drawing blood; an evil clown temporarily erases Jenny’s mouth; and magic knocks out a major character near the end of the book.

5. How about mature themes? You could argue that Jenny’s treatment at the hands of “The Committee” (a group that assigns adventures to adventurers) and the gnome Anthony verges on a mature theme. They trick her into signing an adventurer contract when she’s very young and try to hold her to it as if it were legally binding. The committee is generally unpleasant, refuses to restore Jenny’s erased mouth, and fails to help her when she’s in need. This theme is handled in a way that I consider appropriate for middle-grade readers, and I think it would make a good topic for discussion with your kids.

6. Dark creatures? The only dark creature is the evil clown. Dark clowns are not uncommon in horror or even adult fantasy (I’m counting Batman as fantasy here). On the up side, I thought the use of a clown as a bad guy in a children’s fantasy was pretty original. On the down side, I also thought the clown’s creepiness level was high, much higher than I would have expected from the rest of the book. It wasn’t quite as if Health Ledger’s Joker had popped up in The Princess Bride, but the clown did feel like an incongruously horror-like element in an otherwise mild fantasy book. The clown’s origin is never explained, although the origin of his badness is:  laughter hurts him, so has erased everyone’s mouths to prevent it.

7. What’s the take on religion and/or God in the book? None. Not mentioned.

8. What about politics and government? Monarchies loom large in this book, and although the book doesn’t question monarchy as a form of government, the monarchies only exist on worlds other than our own. At the end of the book, the citizens of the fairy-tale monarchy seem happy to have their regular ruling family back instead of the evil clown who took away their mouths.

9. Any gender issues whack you in the eye? No.

10. Any other important themes crop up that you might want to discuss with your child?
a. Truthfulness. Jenny lies about her family to her two former best friends. They are angry with her when they discover the truth.  After Jenny apologies and promises not to lie to them again, the friends forgive her. Right on the heels of that apology, though, Jenny explains away the sudden appearance of fairytale creatures in her school by telling everyone they’re part of a movie that’s being shot at the school. In other words, she tells another lie. I think this series of events provides a good topic of discussion for you and your kids: Was Jenny’s behavior OK? If not, what should she have done?

b. The responsibility of groups vs. the responsibility of children. Jenny is twelve. Her parents have disappeared and she lives with her aunt. Her aunt is not a bad person but shows little interest in Jenny and only seems interested in and good at communicating with animals. The onus of responsibility for opening up communication is placed on Jenny, who is advised by another character that she should meet her aunt halfway by trying to talk about something that interests the aunt.

I didn’t like the message sent by placing the responsibility for communication so one-sidedly on Jenny. On the other hand, I could see that it might inspire kids to try to communicate with their parents or other important adults in their lives. How do you and your children feel about this? How much responsibility should a child have to improve communication with adults in his or her life? How much responsibility lies with the adults?

11. Is this book especially challenging to read, and if so, why? No, this is a well-written middle grade book. The fluidity of the prose is a major strength of the book. Even younger middle-grade readers should be able to enjoy the writing without problems.

12. How is the writing? The writer has excellent mastery of the craft elements of writing—the words disappear into the background and the story takes center stage. You will not find irritating extraneous adverbs or poorly written dialogue tags here. The writer is particularly good at keeping the prose at a consistent reading level, and one that’s appropriate even for younger middle-grade readers. This might be why at the book reminded me of the magic tree house series until the creepy clown appeared.

On the other hand, to me this writer didn’t yet feel like a confident and mature master of story structure. As an adult reader, I guessed that I was in the presence of a story that had achieved its present level of structural quality via many revisions. However, I have the feeling that as this writer gains practice her mastery will increase and her stories will seem to flow without effort.

A final word about the clown: I have a feeling—and mind you, it’s just a gut hunch—that if she let her natural impulses flow without check, this writer might inhabit a space closer to Neil Gaiman than to the milder, gentler landscape where her tent is pitched at the moment. I found the clown the most interesting and gripping thing in the book. Compared with the other aspects of the novel, it felt strong, genuine, and real—so much so that to me it shone out from the rest of the book like a flash of color in a black and white photo.

13. Might some people be upset by the grammar? Absolutely not. The grammar is fine. The high quality of the prose is one of the major strengths of this book.